iluminadagarciatorres.
%20sala%20Municipal%20Lonja%20del%20Pescado%20ALICANTE.%20mayo2002%20(17)%20(1).jpg)
https://www.instagram.com/iluminadagarciatorres/
Mª Iluminada García-Torres
Paseo de Goya 21, esc D, bajo B
28932 Móstoles, Madrid
Iluminada García-Torres. studio
Avda Alcalde de Móstoles 14, 6ºC
28933 Móstoles, Madrid
MADRID+34 696302487 digital geometría
Paseo de Goya 21, esc D, bajo B
28932 Móstoles, Madrid
Iluminada García-Torres. studio
MADRID+34 696302487 digital geometría
TRAZADO ESPACIAL CONTINUO I (1991) geometría pintura oleo/tabla 90x90cm by Iluminada Garcia-Torres, exposición COMBINABLES. sala de Exposiciones CAM Alicante, en Avda Oscar Esplá 37, 20 mayo-9 junio 1993 
2002·Poesía Geométrica y Cálculo Emocional texto de José Manuel Alvarez Enjuto,catálogo exposición EL HILO DE ARIADNA 1991-2002 de ILUMINADA GARCIA-TORRES, sala Lonja del Pescado, Alicante
%20sala%20Municipal%20Lonja%20del%20Pescado%20ALICANTE.%20mayo2002%20(22.jpg)
%20sala%20Municipal%20Lonja%20del%20Pescado%20ALICANTE.%20mayo2002%20(11)%20(1).jpg)
%20sala%20Municipal%20Lonja%20del%20Pescado%20ALICANTE.%20mayo2002%20(19)%20(1).jpg)
gravitationalwaves-music.blogspot.com1990
%20sala%20Municipal%20Lonja%20del%20Pescado%20ALICANTE.%20mayo2002%20(7a).jpg)
%20sala%20Municipal%20Lonja%20del%20Pescado%20ALICANTE.%20mayo2002%20(28).jpg)
%20sala%20Municipal%20Lonja%20del%20Pescado%20ALICANTE.%20mayo2002%20(27).jpg)
%20sala%20Municipal%20Lonja%20del%20Pescado%20ALICANTE.%20mayo2002%20(25).jpg)
https://drive.google.com/text-
%20sala%20Municipal%20Lonja%20del%20Pescado%20ALICANTE.%20mayo2002%20(32).jpg)
2002· Escultura (1991) y pinturas geométricas by ILUMINADA GARCIA-TORRES· exposición EL HILO DE ARIADNA 1991-2002, sala Municipal Lonja del Pescado, Alicante del 30/04 - 28/05, 2002
%20sala%20Municipal%20Lonja%20del%20Pescado%20ALICANTE.%20mayo2002%20(7a).jpg)
%20sala%20Municipal%20Lonja%20del%20Pescado%20ALICANTE.%20mayo2002%20(28).jpg)
%20sala%20Municipal%20Lonja%20del%20Pescado%20ALICANTE.%20mayo2002%20(27).jpg)
%20sala%20Municipal%20Lonja%20del%20Pescado%20ALICANTE.%20mayo2002%20(25).jpg)
%20sala%20Municipal%20Lonja%20del%20Pescado%20ALICANTE.%20mayo2002%20(32).jpg)
.%20Plaza%20San%20Juan%20ELCHE%202015%20(2).jpg)
2015 exposición "GEOMETRIA COLOR y MUSICALIDAD" y escultura COMBINABLES 2002 bronce-acero by ILUMINADA GARCIA-TORRES (1949 Elche) C.Municipal Exposiciones Temporales MACE, museo de ELCHE-ELX, Plaza de San Juan. 15mayo-06sept 2015. España (Spain)
drawings-line.blogspot.com 1994-97
numerical-design.blogspot.com 2002Museu Art Contemporani de ELX - EIVISSA 2002
.%20Plaza%20San%20Juan%20ELCHE%202015%20(2).jpg)
drawings-line.blogspot.com 1994-97
numerical-design.blogspot.com 2002
2001 Casa Cultura de EL CAMPELLO (Alicante) exposición, Pintura y escultura cerámica de ILUMINADA GARCÍA TORRES
%20Exposici%C3%B3n%20C.%20C.CondeDuque%20MAD%20texto%20SMF.jpg)
2002·LORÉAL Arte Contemporáneo· Jurado XVIII Edición, exposición CentroCulturalCondeDuque. MADRID
2001 Casa Cultura de EL CAMPELLO (Alicante) exposición, Pintura y escultura cerámica de ILUMINADA GARCÍA TORRES
%20Exposici%C3%B3n%20C.%20C.CondeDuque%20MAD%20texto%20SMF.jpg)
Museu Art Contemporani de ELX - EIVISSA 2002
Museu Art Contemporani de ELX - EIVISSA 2002
Review by Dámaso Santos Amestoy for the ABC Cultural supplement:
Ariadne’s Thread, CXLV. Alkyd on canvas, 90 x 90 cm., 2001 by ILUMINADA GARCIA-TORRES (Elche, 1949) in the solo exhibition at the LA LONJA Municipal Gallery in ALICANTE, May 2002; The 4 Painters from Elche, exhibition at the Museum of Contemporary Art of EIVISSA (MACE) in July; and the MACE Museum in Elche-ELX in September 2002.
Nearly fifteen years ago, the dream of the brave and ingenious Ariadne fascinated a painter who was spinning the thread of a singular geometric proposal. Iluminada García-Torres had been practicing a painting of virtuous realistic technique, right on the edge of what was about to become the prolific neo-metaphysical movement current today. One day, at the Museo del Prado, she discovered the statue of the sleeping Ariadne, of which she painted several dreamlike and "metaphysical" versions. At that time, she was creating realistic paintings based on motifs as abstract as cylinders and prisms, which would later transition into her sculptural work. This retrospective offers brief testimony to both. It indicates—as Meyer Schapiro once taught—the continuity of abstract painting with the preceding figurative art, including that of one’s own authorship.
The "Ariadne’s Thread" that Iluminada declares in the title of this exhibition leads us to painting itself. It stitches together, if no longer the labyrinth, a reverberating imaginary space. Rows of squares with regular yet sensitive lines modulate the two-dimensional plane; the edges remain indifferent to the extension of those infinite brushstroke-threads, along which the painting is woven. These contrast the corporal and psychological trace of the ductus with the geometry of rational order. Through a dialogue of repetition and difference, of seriality and tonality, she conjures the fullness of modern painting so that the work—as Klee used to say—does not remain merely "a good carpet," but is capable of summoning the real presence of a third dimension without illusionist artifice.
ILUMINADA GARCIA-TORRES (Elche, 1949) weaves the tapestry of dreams, the tapestry of Ariadne’s dreams.
Dámaso Santos Amestoy ABC Cultural Madrid, 06/01/2002 No. 540
Review by Dámaso Santos Amestoy for the ABC Cultural supplement:
Ariadne’s Thread, CXLV. Alkyd on canvas, 90 x 90 cm., 2001 by ILUMINADA GARCIA-TORRES (Elche, 1949) in the solo exhibition at the LA LONJA Municipal Gallery in ALICANTE, May 2002; The 4 Painters from Elche, exhibition at the Museum of Contemporary Art of EIVISSA (MACE) in July; and the MACE Museum in Elche-ELX in September 2002.
Nearly fifteen years ago, the dream of the brave and ingenious Ariadne fascinated a painter who was spinning the thread of a singular geometric proposal. Iluminada García-Torres had been practicing a painting of virtuous realistic technique, right on the edge of what was about to become the prolific neo-metaphysical movement current today. One day, at the Museo del Prado, she discovered the statue of the sleeping Ariadne, of which she painted several dreamlike and "metaphysical" versions. At that time, she was creating realistic paintings based on motifs as abstract as cylinders and prisms, which would later transition into her sculptural work. This retrospective offers brief testimony to both. It indicates—as Meyer Schapiro once taught—the continuity of abstract painting with the preceding figurative art, including that of one’s own authorship.
The "Ariadne’s Thread" that Iluminada declares in the title of this exhibition leads us to painting itself. It stitches together, if no longer the labyrinth, a reverberating imaginary space. Rows of squares with regular yet sensitive lines modulate the two-dimensional plane; the edges remain indifferent to the extension of those infinite brushstroke-threads, along which the painting is woven. These contrast the corporal and psychological trace of the ductus with the geometry of rational order. Through a dialogue of repetition and difference, of seriality and tonality, she conjures the fullness of modern painting so that the work—as Klee used to say—does not remain merely "a good carpet," but is capable of summoning the real presence of a third dimension without illusionist artifice.
ILUMINADA GARCIA-TORRES (Elche, 1949) weaves the tapestry of dreams, the tapestry of Ariadne’s dreams.
Dámaso Santos Amestoy ABC Cultural Madrid, 06/01/2002 No. 540
%20(1).jpg)
2003·Texto Juan Angel Blasco Carrascosa, Catedrático de Historia del Arte, Universidad Politécnica de Valencia, LA ESCULTURA VALENCIANA DEL SIGLO XX / COMBINABLES A´ 1991 by ILUMINADA GARCIA-TORRES, Editorial Federico Domenech 2003 
2003·Escultura Valenciana del Siglo XX, textos Juan Angel Blasco Carrascosa/escultura COMBINABLES A by ILUMINADA GARCIA-TORRES(3).jpg)
%20(1).jpg)
(3).jpg)
